![]() Utilize any audio effects such as EQ, compression or reverb to polish the sound.Ħ. Record the resultant external audio into one or more tracks.ĥ. Choose and tweak your ideal sounds, either from your sound module or plug-in sound library.Ĥ. Playback and edit the note performance.ģ. ![]() Record your MIDI performance into your sequencing program.Ģ. Here are the typical steps for the second method:ġ. It offers both creativity in the recording process and the best control over the final sound of the mix. Many musicians find this second method, of capturing a MIDI performance and then adding audio later, to be an excellent procedure for studio work. In addition, this method offers editing options later, using MIDI data and any other sound source. This first method is useful when capturing a live performance with a band, to give you instant audio playback when the module is no longer available. Here’s how it will typically look in a sequencing program. You can use the USB MIDI/Audio port separately, to record both a track of MIDI and a track of stereo audio at the same time. ![]() There are two methods of recording you can use with these kits. The TD-17 and TD-25 send and receive MIDI/audio via the built-in USB port. See this MIDI versus Audio article which explains the differences.įrom here, we’ll jump right into combined MIDI and audio recording, as this combination offers the most flexibility and ultimately, the best sound for your final mix. With the TD-17, it’s even possible to record the Bluetooth streaming audio while playing along.įor editing flexibility and unlimited recording time with a connected computer, these kits feature a combined USB Audio/MIDI port, but should you record the USB audio or the MIDI signal? It can then be exported for editing and further over-dubbing elsewhere. Thanks to the Song Recorder function, audio can be recorded directly into the module while playing along. Recording V-Drums – the TD-17 & TD-25 series You will be able to achieve great results, with just basic connections and knowledge. The aim of this recording masterclass series is to break down and simplify the process of recording electronic drums. Sound decisions can always be decided later. V-Drums are ideal for recording yourself, because their simplicity means you can focus on your actual performance, safe in the knowledge that every note is being captured perfectly. Most importantly, this allows you to relax, focus on the music and just play. When recording V-Drums, you can forget about tuning, muffling, microphone positioning, pre-amplifiers, specially designed studios, noise problems and studio hire fees. ![]() You can record almost anywhere, the kit will fit quickly into a recording space and with unlimited sound and performance possibilities, your creative options are increased dramatically. Recording V-Drums is simple compared to acoustic drums. However, with a little planning, there are ways to minimize your work flow and maximize your performance!Ĭontributed by Simon Ayton for Roland Corporation Australia Enter electronic drums… As a result, capturing a great performance is extremely difficult when you’re also the one recording your drums. Finding a balance between equipment, knowledge, patience and money that works for your project is a skill that comes with experience and time.īeing a collection of various percussion instruments, a drum kit requires different types of microphones and positioning to make one cohesive drum kit sound. Learn how easy it is to record the TD-17 and TD-25 V-Drums.Īcoustic drum recording is considered by many to be an art form. Recording V-Drums is demystified in this electronic drums masterclass.
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